Coriolanus Theme of Power

The play Coriolanus, written by Shakespeare in the Elizabethan era, is exhibited as a work of power throughout the context. During the era, the English public were attempting to overthrow king James VIII, searching for a pristine and modernized man. Shakespeare similarly portrays this in Coriolanus, categorizing the main protagonist as a faithful and god-like classical warrior who battles his way for the heart of Rome. Throughout the play, Coriolanus is contrasted with dragon imagery, relaying a sense of physical strength, authority and individualism, recurring with the theme of power. During the initial phases and building of the climax his acts are portrayed as dragon-like, once he’s banished and decides to work against Rome, yet in Act 5 Scene 2, Menenius states “This Martius is grown from man to dragon: he has wings”, explaining that he has fully developed into such a beast. Thus, Coriolanus is approached by his mother, wife and son who kneel towards him, leaving him indifferent until he is emotionally impacted by his mother’s words. This displays the prowess and control his mother has on her son, although her position is respected due to the achievements of her son, she is bound to tame the beast and sacrifice him for the goodwill of Rome. Tullus Aufidius does not display much of a powerful character after being defeated by Coriolanus in battle, however is provided with the chance to regain revenge upon his prior enemy once Coriolanus avoids overtaking his homeland. As a result, during this era Shakespeare was able to portray the transformation of England, as well as the global world, through the inclusion of an ancient demi-god coupled with two regular, yet highly corrupt human beings taking charge and admonishing such a power, emphasizing the point that goodwill and heroic influences have been casted aside.